{"id":1758,"date":"2023-07-25T12:22:03","date_gmt":"2023-07-25T10:22:03","guid":{"rendered":"https:\/\/comiteesceniques.org\/equip\/"},"modified":"2026-06-11T12:11:54","modified_gmt":"2026-06-11T10:11:54","slug":"equipo","status":"publish","type":"page","link":"https:\/\/comiteesceniques.org\/es\/equipo\/","title":{"rendered":"Equipo"},"content":{"rendered":"

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Equipo
Comit\u00e8 Esc\u00e8niques<\/h1>\n

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Junta directiva<\/h2>\n

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Iv\u00e1n Arbildua<\/h3>\n

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Presidente<\/p>\n

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Padre de Julia, creador esc\u00e9nico y audiovisual en C\u00eda.SalaNegra, VESC y NURO Visuales. Made in Torrelavega, desde 1984.<\/p>\n

Licenciado en arte dram\u00e1tico, en la especialidad de direcci\u00f3n esc\u00e9nica y dramaturgia por la Escuela Superior de Arte Dram\u00e1tico de Valencia y en la especialidad de interpretaci\u00f3n por la Escuela del Palacio de Festivales de Cantabria.<\/p>\n

Actor y director esc\u00e9nico desde 2008, especialmente dentro de C\u00eda. SalaNegra.<\/p>\n

Autor de En espera de Arrabal<\/em>, Esperpento<\/em>, Quijoote<\/em>, Ciencia Club Clown<\/em>, 2084<\/em> y Encapsulada,<\/em> todas ellas estrenadas. Autor junto a N\u00faria Martin Torre del texto Llum i Dolor<\/em>, con el reconocimiento del IVC al concedernos la Ayuda 2019 a la CREACI\u00d3 DE LITERATURA ESC\u00c8NICA. Participa como dramaturgo en Creador-es 2016 y l Aplec de Creador-es 2020.<\/p>\n

Actualmente desarrolla tambi\u00e9n su trabajo como creador audiovisual y videoescena a trav\u00e9s del colectivo NURO Visuales.<\/p>\n

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Eva Zapico<\/h3>\n

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Vicepresidenta<\/p>\n

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EVA ZAPICO vive en Val\u00e8ncia y es directora de escena, int\u00e9rprete y docente. Formada en la Escuela Superior de Arte Dram\u00e1tico de Val\u00e8ncia, completa su formaci\u00f3n con diferentes talleres y cursos y un m\u00e1ster oficial en Producci\u00f3n Art\u00edstica perteneciente en la Universitat Polit\u00e8cnica de Val\u00e8ncia. Como directora trabaja alternativamente para la instituci\u00f3n p\u00fablica, compa\u00f1\u00edas privadas y en sus propios proyectos creativos con su compa\u00f1\u00eda, C\u00eda EvaZapico: Fraude<\/em> (2019), La sala de los trofeos<\/em> (2020), Bannon<\/em> (2022) y Talio<\/em> (2023). Fue premio Aapv a Mejor Actriz en 2014 por la obra El Gran Arco<\/em> y sus \u00faltimas producciones como directora son: M\u00e9dul\u00b7la<\/em>, 2017, de la compa\u00f1\u00eda La Coja Danza (premio Mejor Espect\u00e1culo de Danza en Los Premios de las Artes Esc\u00e9nicas GVA 2018); Els nostres<\/em>, 2018, producci\u00f3n del IVC (Instituto Valenciano de Cultura) y Teatros de la Diputaci\u00f3n de Val\u00e8ncia; Tirant<\/em>, 2019, producci\u00f3n del IVC y de la Compa\u00f1\u00eda Nacional de Teatro Cl\u00e1sico de Madrid (por la direcci\u00f3n esc\u00e9nica de este espect\u00e1culo fue nominada a los Premios ADE \u2013 Asociaci\u00f3n de Directoras de Escena de Espa\u00f1a); La Confian\u00e7a<\/em>, 2021, primera producci\u00f3n de la Sala Ultramar; Ves\u00e0nia<\/em>, 2022, para la compa\u00f1\u00eda Teatro del Contrahecho y Coriol\u00e0<\/em>, 2023, para su propia compa\u00f1\u00eda.<\/p>\n

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Cristina Mart\u00ed<\/h3>\n

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Secretaria<\/p>\n

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Graduada en Coreograf\u00eda por el Conservatorio Superior de Danza del Institut del Teatre de Barcelona (2015-2020) y en Dise\u00f1o de Producto por la Escuela Superior de Arte y Dise\u00f1o de Val\u00e8ncia (2009-2013). Con el objetivo de unir los estudios de danza y de dise\u00f1o, realiz\u00f3 un M\u00e1ster en Dise\u00f1o Escenogr\u00e1fico en la Universidad Complutense de Madrid (2014-2015).
Ha trabajado como escen\u00f3grafa para la compa\u00f1\u00eda Extremus Danza. Como bailarina, ha participado la pieza Halab<\/em> (2017) de la core\u00f3grafa Solo Pic\u00f3 para el festival Sism\u00f3graf de Olot. Tambi\u00e9n en el proyecto Metro cuadrado<\/em> de Edwin Valent\u00edn. Ha participado en el proyecto REMOUTE<\/em> (2019) de la Asociaci\u00f3n de Profesionales de la Danza de Catalu\u00f1a, bailando en las piezas de Andr\u00e9s Corchero y Raffaella Crapi. Como core\u00f3grafa, ha colaborado en el videoclip No paro<\/em> del grupo Jamaleonics y ha creado la pieza Mambo!<\/em>
En el \u00e1mbito educativo imparte talleres donde comparte sus inquietudes, respecto al cuerpo y a la escena y ha sido profesora de preballet y danza creativa en diferentes escuelas de Barcelona y Valencia.<\/p>\n

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NOE ARCOS<\/h3>\n

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Tesorera y comisi\u00f3n de comunicaci\u00f3n<\/p>\n

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Titulada en Danza contempor\u00e1nea por el Conservatorio Superior de Danza de Valencia.
Licenciada en Psicolog\u00eda con m\u00e1ster en Psicolog\u00eda Forense. M\u00e1ster en Gesti\u00f3n Cultural por la Universitat Oberta de Catalunya y T\u00edtulo Superior de Mediaci\u00f3n Intercultural e intervenci\u00f3n social con personas migrantes.
Creadora e int\u00e9rprete a la compa\u00f1\u00eda La Lola Boreal con proyectos como Mama<\/em>, nominado por el Instituto Valenciano de Cultura como mejor espect\u00e1culo de calle 2019; Bubal\u00fa<\/em>, acc\u00e9sit en los premios \u00abI Culturama Innovaci\u00f3n en la juventud\u00bb y Spoiler Alert<\/em>, mejor espect\u00e1culo 2021 en el XIII Certamen de Nuevos Investigadores Teatrales.
Creadora y bailarina en compa\u00f1\u00edas como En\u00e1mbar Danza, Moments Art Dansa i Teatre, Fabrik Nomade, Las Juntas y Big Bouncers. Colabora en proyectos con core\u00f3grafos como Marcos Morau en Apr\u00e8s moi, le d\u00e9luge<\/em>, Antonio Aparisi, William Petit, Amelia Bentes, Sol Pic\u00f3, etc. Seleccionada por la compa\u00f1\u00eda ‘Poetic Disaster Club’ en 2019 e int\u00e9rprete de la pieza de calle Rminds<\/em> del Institut Valenci\u00e0 de Cultura.
Actualmente, trabaja con Tejido Conectivo y Andrea Amor en Madrid, con Col\u00b7lectiu Penja\u2019m en Valencia como creadora y gestora, con Visitants Teatre y en proyectos diversos como asistente coreogr\u00e1fica, art\u00edstica, etc. Es docente en el Centro Profesional de M\u00fasica y Danza Centro Cabanilles \u00daSA en Algemes\u00ed.
En el a\u00f1o 2022 ha sido nominada como docente destacada por la Asociaci\u00f3n de Profesionales de la Comunidad Valenciana y por el proyecto O_O<\/em>\u00a0que codirige \u200b\u200bjunto con Marta Garc\u00eda como proyecto social destacado, el cual se ha desarrollado en contextos como Dansa Val\u00e8ncia, Encuentro Creadores y Cultura Residente.
En el a\u00f1o 2023 disfruta de una residencia de investigaci\u00f3n con el proyecto A_E_Y_O_O_O<\/em>\u00a0en Espai La Granja.
Es presidenta de la Asociaci\u00f3n Cultural Penja\u2019m y responsable de redes sociales en Bot\u00e0nic Espai de Dansa.<\/p>\n

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Georg Sedlak<\/h3>\n

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Vocal<\/p>\n

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Georg Sedlak (1983, Alemania), dramaturgista y director teatral. Graduado en Literatura, Cultura y Medios de comunicaci\u00f3n (Universit\u00e4t Siegen, Alemania), se forma en Direcci\u00f3n y Dramaturgia en el Institut del Teatre en Barcelona y hace un M\u00e1ster en Estudios Teatrales. Ha hecho asistencias con directores como Michael Bleiziffer, Magnus Reitschuster y Xavier Albert\u00ed. Ha colaborado entre otros con Annika Weber, Karen Karin Rosenberg (Yale), Jon James Barousse, Cristina Mart\u00ed, Goretti Pi\u00e9, Maria Pons i Mar\u00eda S\u00e1nchez (M\u00e9xico) en varios proyectos que difuminan las fronteras entre teatro de texto y danza contempor\u00e1nea. Unas veces reflejan temas actuales, unas veces ofrecen mundos alternativos. Mezclan cotidianidad y poes\u00eda esc\u00e9nica. Seg\u00fan la pieza, confluyen sonidos, canto, palabras, instrumentos en directo, elementos escenogr\u00e1ficos, cuerpos en movimiento, im\u00e1genes y videos. Muchas veces tienen un punto humor\u00edstico o ir\u00f3nico. El a\u00f1o 2024 se ha instalado en Val\u00e8ncia donde, en colaboraci\u00f3n con la core\u00f3grafa Cristina Mart\u00ed, ya antes se han podido ver piezas como \u201c\u00a1Mambo!\u201d (2022) en Carme Teatre y \u201cRisas\u201d (2023) en Alboraya, obra premiada al Certamen Coreogr\u00e1fico de Madrid.<\/p>\n

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\u00c1lvaro Octavio Moliner<\/h3>\n

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Vocal y Comisi\u00f3n de Germanor<\/p>\n

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Escritor, creador esc\u00e9nico y audiovisual. Licenciado en Comunicaci\u00f3n Audiovisual (UCH) y en Direcci\u00f3n de escena (ESADV). Sus \u00faltimas obras su \u2018Myst\u00e9s\u2019 (2024), \u2018No.Nada.Que.\u2019 (2023) y \u2018Lo fuego nunca\u2019 (2022), trilog\u00eda en la cual investiga sobre la identidad, los sagrado y los l\u00edmites del humano. Miembro fundador de Colectivo Isquion, de Col\u00b7lectiu Vesc y cofundador de Nuro Visuales, proyecto que combina la escena con el lenguaje audiovisual.<\/p>\n

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Aurora Diago<\/h3>\n

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Vocal y Actualizaci\u00f3n Web<\/p>\n

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\nM\u00e1ster en Artes Visuales y Multimedia en la Universidad Polit\u00e9cnica de Valencia. Grado Superior de Interpretaci\u00f3n y Coreograf\u00eda de Danza Contempor\u00e1nea en el Conservatorio Superior de Danza de Valencia. Diplomada en Fisioterapia por la Universidad de Valencia.
\nCon 22 a\u00f1os estrena su primer montaje profesional \u201cEstar Volar\u201d y desde entonces ha trabajado para compa\u00f1\u00edas como La Coja Dansa, Teatro de lo Inestable, En\u00c1mbar Danza, La Casa Amarilla y directores\/as como: Miquel Ausina, Pedro Lozano, Natalia D\u2019Annunzio, Carmen Meinhoff, Mauro Molina, Anna Albaladejo, Alejandra Garrido, Maribel Bayona, etc.
\nCo-fundadora de la compa\u00f1\u00eda transdisciplinar La Lola Boreal donde ejerci\u00f3 tareas de direcci\u00f3n, gesti\u00f3n, coreograf\u00eda, interpretaci\u00f3n y creaci\u00f3n multimedial. Fuera de la escena realiza m\u00faltiples trabajos audiovisuales como videoclips, videos corporativos, fotograf\u00eda o dise\u00f1o gr\u00e1fico.
\nAdem\u00e1s, ha trabajado como fisioterapeuta en diferentes centros de rehabilitaci\u00f3n (en Espa\u00f1a y Bruselas) y residencias geri\u00e1tricas. Posee una formaci\u00f3n transversal en danza inclusiva y danzaterapia y ha tenido experiencias como docente impartiendo clases de movimiento, artes esc\u00e9nicas y audiovisual con colectivos diversos.
\nDesde 2017, sostiene junto con Virginia Garc\u00eda el proyecto Mobilitats Diverses. Ha colaborado activamente con asociaciones como: Interm\u00f3n Oxfam, Asociaci\u00f3n Pro-ni\u00f1os Saharauis, Tierra Viva, Estudios Sin Fronteras y Comit\u00e8 Esc\u00e8niques. Combina su trabajo como creadora esc\u00e9nica con la investigaci\u00f3n y pedagog\u00eda, especialmente centrada en trabajos h\u00edbridos entre interpretaci\u00f3n y t\u00e9cnica, escena y audiovisual, tem\u00e1ticas sociales y dispositivos \u00edntimos.[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb3_5,2_5″ _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#f4f4f4″ width_tablet=\u00bb\u00bb width_phone=\u00bb90%\u00bb width_last_edited=\u00bbon|phone\u00bb custom_margin=\u00bb||2%||false|false\u00bb custom_margin_tablet=\u00bb||2%||false|false\u00bb custom_margin_phone=\u00bb||5%||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb2%|2%|2%|2%|true|true\u00bb custom_css_main_element=\u00bbdisplay: flex;||flex-wrap: wrap;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb3_5″ _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb custom_css_main_element_tablet=\u00bborder: 2;\u00bb custom_css_main_element_phone=\u00bborder: 2;\u00bb][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbWork Sans|600|||||||\u00bb text_text_color=\u00bb#eb267c\u00bb text_font_size=\u00bb22px\u00bb header_3_font=\u00bbWork Sans|600||on|||||\u00bb header_3_text_color=\u00bb#eb267c\u00bb custom_margin=\u00bb25px||0px||false|false\u00bb custom_margin_tablet=\u00bb25px||0px||false|false\u00bb custom_margin_phone=\u00bb25px||0px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb hover_enabled=\u00bb0″ global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]<\/p>\n

Jor Camacho<\/h3>\n

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Vocal y Comisi\u00f3n de Formaci\u00f3n<\/p>\n

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Jor se forma en la Escuela Superior de Arte Dram\u00e1tico de Val\u00e8ncia y en el Conservatorio Profesional de Danza de Valencia terminando su formaci\u00f3n en 2021. Actualmente se encuentra en Buenos Aires (Argentina) estudiando una Maestr\u00eda en Teatro y Artes Perform\u00e1ticas en la Universidad Nacional de las Artes.<\/p>\n

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Pedro Granero<\/h3>\n

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Vocal<\/p>\n

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Kika Garcel\u00e1n<\/h3>\n

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Vocal<\/p>\n

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Kika Garcel\u00e1n es Titulada en Interpretaci\u00f3n por la Escuela del Actor y Licenciada en Direcci\u00f3n de Escena por la Escuela Superior de Arte Dram\u00e1tico de Val\u00e8ncia. Cursa tambi\u00e9n el Postgrado de Teatro en la Educaci\u00f3n de la Universitat de Val\u00e8ncia y M\u00e1ster de Producci\u00f3n Art\u00edstica en la Universitat Polit\u00e8cnica de Val\u00e8ncia.<\/p>\n

Como actriz, ha trabajado con varias compa\u00f1\u00edas como por ejemplo Carme Teatre y Teatro de lo Inestable, y tambi\u00e9n en proyectos propios. Forma parte de las compa\u00f1\u00edas Agrupaci\u00f3n Hijos de Antonio y Colectivo Isquion.<\/p>\n

Como directora ha trabajado en L\u2019Horta Teatre, La Familia Pol\u00edtica, el Instituto Valenciano de Cultura o Teatro de lo Inestable.<\/p>\n

Fundadora de Los Reyes del Mambo, organizaci\u00f3n dedicada al dise\u00f1o y realizaci\u00f3n de escenograf\u00eda, donde afianza su inter\u00e9s hacia la pl\u00e1stica esc\u00e9nica.
Desde 2017 forma parte de los diferentes equipos art\u00edsticos de las producciones de L\u2019Horta Teatre, principalmente en las propuestas dirigidas a la infancia, encarg\u00e1ndose tambi\u00e9n de la elaboraci\u00f3n de los dosieres pedag\u00f3gicos y la propuesta de actividades de mediaci\u00f3n asociadas a los espect\u00e1culos.<\/p>\n

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Equipo de trabajo<\/h2>\n

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Berta del R\u00edo<\/h3>\n

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HELENA G\u00d3MEZ<\/h3>\n

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Redes sociales y Comisi\u00f3n de producci\u00f3n<\/p>\n

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\nLicenciada en Bellas artes por la UPV; Graduada en Coreograf\u00eda e interpretaci\u00f3n de Danza Contempor\u00e1nea en el Conservatorio Superior de Val\u00e8ncia; Graduada en Danza Cl\u00e1sica en el Centro Profesional de Danza Valencia. Ha sido cocreadora de los espect\u00e1culos: \u00abVilla Quitapenas\u00bb, \u00abL\u00ednea Sensible\u00bb, \u00abBubal\u00fa. No todo nos parece una mierda\u00bb, \u00abEspacio B\u00e1sico\u00bb, \u00abBicistorias\u00bb, \u00abMAMA\u00bb y \u00abMarrrr\u00bb.<\/p>\n

Desde 2017 es int\u00e9rprete en En\u00c1mbar Danza en los espect\u00e1culos \u00abLa Peque\u00f1a Caracol\u00bb y \u00abMukuki\u00bb. Compagina su actividad esc\u00e9nica con la docencia de la Danza, con amplia experiencia en las especialidades de Danza Cl\u00e1sica y Contempor\u00e1nea. Como creadora y gestora en Lola Boreal, crea e investiga espect\u00e1culos de danza, sesiones y talleres l\u00fadicos y did\u00e1cticos destinados, tanto a adultos, como ni\u00f1os, ni\u00f1as y adolescentes, focalizados en el proceso de creaci\u00f3n. Actualmente desarrolla el proyecto ‘Marrrr, la era del pl\u00e1stico’ en el marco de Resistencias Art\u00edsticas acercando la creaci\u00f3n contempor\u00e1nea al entorno escolar.
\nSu motivaci\u00f3n es ense\u00f1ar el movimiento del cuerpo a trav\u00e9s de la conciencia y expresi\u00f3n corporal. Uno de sus objetivos es acercar la vida y la cultura sostenibles a la ciudadan\u00eda, por eso, se dedica desde 2015 a la cura y bienestar del cuerpo como profesora de Pilates, Danza Consciente y Yoga. Compagina este trabajo con la gesti\u00f3n, difusi\u00f3n y gesti\u00f3n cultural. Desde 2019, trabaja para la Asociaci\u00f3n de creadoras y creadores esc\u00e9nicos Comit\u00e9 Esc\u00e9niques. Se encarga de crear contenido y del dise\u00f1o de las redes sociales, as\u00ed como de la gesti\u00f3n de acontecimientos y proyectos culturales como ‘EN3TEMPS’ y ‘CONNEXIONS’.[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb3_5,2_5″ _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#1e1e1e\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb90%\u00bb width_last_edited=\u00bbon|phone\u00bb custom_margin=\u00bb||2%||false|false\u00bb custom_margin_tablet=\u00bb||2%||false|false\u00bb custom_margin_phone=\u00bb||5%||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb2%|2%|2%|2%|true|true\u00bb custom_css_main_element=\u00bbdisplay: flex;||flex-wrap: wrap;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb3_5″ _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||||false|false\u00bb global_colors_info=\u00bb{}\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb custom_css_main_element_tablet=\u00bborder: 2;\u00bb custom_css_main_element_phone=\u00bborder: 2;\u00bb][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbWork Sans|600|||||||\u00bb text_text_color=\u00bb#eb267c\u00bb text_font_size=\u00bb22px\u00bb header_3_font=\u00bbWork Sans|600||on|||||\u00bb header_3_text_color=\u00bb#f49524″ custom_margin=\u00bb25px||0px||false|false\u00bb custom_margin_tablet=\u00bb25px||0px||false|false\u00bb custom_margin_phone=\u00bb25px||0px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb hover_enabled=\u00bb0″ global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]<\/p>\n

Malena Albarrac\u00edn<\/h3>\n

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Comisi\u00f3n de Formaci\u00f3n<\/p>\n

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Patr\u00edcia Pardo<\/h3>\n

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Comisi\u00f3n de Germanor<\/p>\n

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Arantxa Cort\u00e9s<\/h3>\n

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Comisi\u00f3n de Germanor<\/p>\n

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Llanos Godes Medrano<\/h3>\n

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Comisi\u00f3n de Germanor<\/p>\n

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MORGAN BLASCO<\/h3>\n

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Delegaci\u00f3n de Alicante<\/p>\n

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Actor, director y productor.
Licenciado en Direcci\u00f3n Esc\u00e9nica y Dramaturgia. Titulado en Interpretaci\u00f3n. Completa su formaci\u00f3n con profesionales como Juan Pastor (T\u00e9cnica Meisner), Juan Ceacero (*Viewpoints), John Strasberg, Maurice Douraczier (creaci\u00f3n), Titzina (creaci\u00f3n) o Benito Zambrano (Interpretaci\u00f3n audiovisual).
Al teatro, ha desarrollado su carrera en compa\u00f1\u00edas como La Guindalera, UR Teatro, La Ferroviaria, Teatro de Fondo. Y con directoras y directores como Eva Zapico, Mar\u00eda Ruiz, Helena Pimenta, Vanessa Mart\u00ednez, Juan Pastor, Paco Maci\u00e1, Jaume P\u00e9rez o Toni Tordera.
En el mundo audiovisual, ha trabajado con Avelina Prat, In\u00e9s Paris, Silvia Quer, Ad\u00e1n Aliaga, David Valero, Marc Ortiz, entre otros. Nominaci\u00f3n Premios Berlanga 2023 como mejor actor y Premios Echando 2010 como mejor actor de reparto.
Fundador de la A.C. Cultura Al Viento (2002) y la compa\u00f1\u00eda Col\u00b7lectiu Intermitent (2017) junto con Joan Sabas (escen\u00f3grafo) donde, adem\u00e1s de propuestas teatrales de texto, dan vida a acciones performativas, instalaciones o cualquier inquietud esc\u00e9nica que se les venga a la cabeza.<\/p>\n

[\/et_pb_toggle][\/et_pb_column][et_pb_column type=\u00bb2_5″ _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb custom_css_main_element_tablet=\u00bborder: 1;\u00bb custom_css_main_element_phone=\u00bborder: 1;\u00bb][et_pb_image src=\u00bbhttps:\/\/comiteesceniques.org\/wp-content\/uploads\/2024\/02\/Sin-titulo-7.jpg\u00bb title_text=\u00bbSin-t\u00edtulo-7″ _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb2_5,3_5″ custom_padding_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#1e1e1e\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb90%\u00bb width_last_edited=\u00bbon|phone\u00bb custom_margin=\u00bb||2%||false|false\u00bb custom_margin_tablet=\u00bb||2%||false|false\u00bb custom_margin_phone=\u00bb||5%||false|false\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb custom_padding=\u00bb2%|2%|2%|2%|false|true\u00bb custom_padding_tablet=\u00bb2%|2%|5%|2%|false|true\u00bb custom_padding_phone=\u00bb||10%||false|true\u00bb custom_css_main_element=\u00bbdisplay: flex;||flex-wrap: wrap;\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb2_5″ _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/comiteesceniques.org\/wp-content\/uploads\/2023\/07\/JOAN-SABAS-PARDO.jpg\u00bb title_text=\u00bbJOAN-SABAS-PARDO\u00bb _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb3_5″ _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbWork Sans|600|||||||\u00bb text_text_color=\u00bb#eb267c\u00bb text_font_size=\u00bb22px\u00bb header_3_font=\u00bbWork Sans|600||on|||||\u00bb header_3_text_color=\u00bb#f49524″ custom_margin=\u00bb25px||0px||false|false\u00bb custom_margin_tablet=\u00bb0px||0px||false|false\u00bb custom_margin_phone=\u00bb0px||0px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

JOAN SABAS PARDO<\/h3>\n

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Delegaci\u00f3n de Alicante<\/p>\n

[\/et_pb_text][et_pb_divider color=\u00bb#e6e3e3″ divider_weight=\u00bb3px\u00bb _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb width=\u00bb11%\u00bb module_alignment=\u00bbleft\u00bb custom_margin=\u00bb||12px|||\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_toggle title=\u00bbm\u00e1s informaci\u00f3n\u00bb open_toggle_text_color=\u00bbRGBA(255,255,255,0)\u00bb open_toggle_background_color=\u00bb#1ca69d\u00bb closed_toggle_text_color=\u00bb#FFFFFF\u00bb closed_toggle_background_color=\u00bb#1ca69d\u00bb icon_color=\u00bb#ffffff\u00bb toggle_icon=\u00bbP||divi||400″ open_icon_color=\u00bb#FFFFFF\u00bb _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb title_text_color=\u00bb#FFFFFF\u00bb title_level=\u00bbh4″ title_text_align=\u00bbleft\u00bb body_text_align=\u00bbleft\u00bb body_text_color=\u00bb#FFFFFF\u00bb body_font_size=\u00bb15px\u00bb body_line_height=\u00bb1.5em\u00bb global_colors_info=\u00bb{}\u00bb]Alicante, 1960
\nDiploma en Estudios Avanzados. Suficiencia Investigadora en Territorios Art\u00edsticos Contempor\u00e1neos. Universidad Miguel Hern\u00e1ndez; Master en Proyecto e investigaci\u00f3n Art\u00edstica. Universidad Miguel Hern\u00e1ndez; Posgrado en Gesti\u00f3n Cultural. Universitat Oberta de Catalunya; Licenciado en Humanidades. Universitat Oberta de Catalunya. Fuera del \u00e1mbito acad\u00e9mico ha seguido cursos con los escen\u00f3grafos Isidre Prun\u00e9s y Ezio Frigerio. <\/p>\n

Desde el a\u00f1o 1980 ha trabajado regularmente realizando escenograf\u00edas, dise\u00f1os de vestuario, direcciones de escena e intervenciones en espacios p\u00fablicos. Ha trabajado con compa\u00f1\u00edas como Teatro del Mare Nostrum, J\u00e1cara Teatro, Teatro Enemigo, El Club de la Serpiente, Almadraba Teatro, escena en acci\u00f3n, Criadero de Morsas, entre otras. Y con directores como Juan Luis Mira, Francesc Sanguino, Paul Weibel, Sim\u00f3n Su\u00e1rez, Mario Gas, Jos\u00e9 Luis Castro, Morgan Blasco, Juan Pastor, Bego\u00f1a Tena, Mafalda Bellido o Lucas Escobedo.<\/p>\n

Los a\u00f1os 2012 y 2013 desarrolla conjuntamente con Patr\u00edcia Escario proyectos, tanto de escenograf\u00eda como intervenciones y comisariados. Destacan, la escenograf\u00eda por \u201cLorquiana\u201d (Altea, 2012), las intervenciones en el \u00e1mbito p\u00fablico \u201cProyecto Telepat\u00eda\u201d (Altea, 2013) y el comisariado por \u201cAltea a trav\u00e9s del espejo\u201d (Altea, 2014).<\/p>\n

Parte de su obra escenogr\u00e1fica ha sido expuesta en el Word Stage Design (Cardiff, 2013). En 2015 expuso en la Prague Quadrennial of Performance Design and Space, en Tr\u00e1nsito por la Escenograf\u00eda Espa\u00f1ola en el Instituto Cervantes de Praga y en la Theatre and Performance Research Association (TaPRA) Performance-as-Research Exhibition en la Universidad de Worcester.<\/p>\n

Sus \u00faltimas realizaciones se han presentado al Festival Cabanyal \u00cdntim (\u201cCartograf\u00edas de frontera\u201d, 2017; \u201cMe llamo\u201d, 2019). La pieza \u201cVariaciones Wozzeck\u201d (2017-2018) ha disfrutado de una residencia en la Incubadora del Corral, en el Corral de Comedias de Alcal\u00e1 de Henares. Posteriormente ha sido presentada en la Casa de Cultura del Campello y en el festival Russafa Esc\u00e9nica.<\/p>\n

Las escenograf\u00edas por \u201cCoriolano despu\u00e9s de Shakespeare\u201d (2018) y \u201cFurbyTale\u201d (2018) se han estrenado en el Teatro Principal de Alicante y en Las Cigarreras, respectivamente.
\nEn mayo de 2019 estren\u00f3 la pieza \u201cMe llamo\u201d de Enzo Cormann con Colectivo Intermitente, en la Casa de Cultura del Campello. Con posterioridad, la versi\u00f3n en forma de instalaci\u00f3n se present\u00f3 en Territori Performance de Cabanyal \u00cdntim, en el Teatre El Musical de Val\u00e8ncia.<\/p>\n

Con Colectivo Intermitente estren\u00f3 en 2019 \u201cDiktat\u201d, de Enzo Cormann en el Teatro Arniches de Alicante y \u201cZer016\u201d, (2020) de Fulgencio M. Laxo.<\/p>\n

Tambi\u00e9n en 2020 ha estrenado \u201cEl manual de la se\u00f1ora de la limpieza\u201d de Josi Alvarado, dirigida por Bego\u00f1a Tena y las producciones del Institut Valenci\u00e0 de Cultura \u201cLes Saurines\u201d, de Mafalda Bellido y \u201cAd\u00e8u!\u201d de Lucas Escobedo.<\/p>\n

Desde el a\u00f1o 2016 es integrante del Laboratorio Rivas Cherif del CDN. Junto con Morgan Blasco fund\u00f3 en 2019 Colectivo Intermitente. [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb2_5,3_5″ custom_padding_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#1e1e1e\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb90%\u00bb width_last_edited=\u00bbon|phone\u00bb custom_margin=\u00bb||2%||false|false\u00bb custom_margin_tablet=\u00bb||2%||false|false\u00bb custom_margin_phone=\u00bb||5%||false|false\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb custom_padding=\u00bb2%|2%|2%|2%|false|true\u00bb custom_padding_tablet=\u00bb2%|2%|5%|2%|false|true\u00bb custom_padding_phone=\u00bb||10%||false|true\u00bb custom_css_main_element=\u00bbdisplay: flex;||flex-wrap: wrap;\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb2_5″ _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/comiteesceniques.org\/wp-content\/uploads\/2024\/04\/angeles-ciscar.jpg\u00bb title_text=\u00bbangeles-ciscar\u00bb _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb3_5″ _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbWork Sans|600|||||||\u00bb text_text_color=\u00bb#eb267c\u00bb text_font_size=\u00bb22px\u00bb header_3_font=\u00bbWork Sans|600||on|||||\u00bb header_3_text_color=\u00bb#f49524″ custom_margin=\u00bb25px||0px||false|false\u00bb custom_margin_tablet=\u00bb0px||0px||false|false\u00bb custom_margin_phone=\u00bb0px||0px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

\u00c1ngeles C\u00edscar<\/h3>\n

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Comisi\u00f3n Pol\u00edtica<\/p>\n

[\/et_pb_text][et_pb_divider color=\u00bb#e6e3e3″ divider_weight=\u00bb3px\u00bb _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb width=\u00bb11%\u00bb module_alignment=\u00bbleft\u00bb custom_margin=\u00bb||12px|||\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_toggle title=\u00bbm\u00e1s informaci\u00f3n\u00bb open_toggle_text_color=\u00bbRGBA(255,255,255,0)\u00bb open_toggle_background_color=\u00bb#1ca69d\u00bb closed_toggle_text_color=\u00bb#FFFFFF\u00bb closed_toggle_background_color=\u00bb#1ca69d\u00bb icon_color=\u00bb#ffffff\u00bb toggle_icon=\u00bbP||divi||400″ open_icon_color=\u00bb#FFFFFF\u00bb _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb title_text_color=\u00bb#FFFFFF\u00bb title_level=\u00bbh4″ title_text_align=\u00bbleft\u00bb body_text_align=\u00bbleft\u00bb body_text_color=\u00bb#FFFFFF\u00bb body_font_size=\u00bb15px\u00bb body_line_height=\u00bb1.5em\u00bb global_colors_info=\u00bb{}\u00bb]Artista visual especializada en dramaturgia de la imagen. Mi marco de acci\u00f3n art\u00edstico son las artes esc\u00e9nicas, la perfomance y la video instalaci\u00f3n. Formo parte del Colectivo de artistas Parapente. Entiendo la pr\u00e1ctica art\u00edstica como una forma de reflexi\u00f3n filos\u00f3fica. Pienso que lo que denominamos real es una construcci\u00f3n, una suma precaria de fragmentos seleccionados desde el acondicionamiento que produce el contexto social y cultural en nuestro proceso de pensamiento. Mis piezas, de gran contenido visual, aluden a la percepci\u00f3n sensitivo emocional del espectador y desde este lugar manifiesto la sospecha sobre los enunciados que nos delimitan y definen. Actualmente estoy explorando conceptos como la eco-conciencia y la igualdad y estoy conduciendo parte de mi investigaci\u00f3n art\u00edstica en esa direcci\u00f3n. Mis trabajos han podido verse en el Mercat de las Flors, Teatre Lliure, Centro Cultural de Espa\u00f1a en M\u00e9xico, Centro de Cultura Digital y el Museo Universitario el Chopo de Ciudad de M\u00e9xico, Carme Teatre de Val\u00e8ncia o \u00dcferstudios de Berl\u00edn por citar algunos. He sido artista residente en Hangar Centro de producci\u00f3n e investigaci\u00f3n de artes visuales de Barcelona, el Centro Nacional de las Artes de Ciudad de M\u00e9xico o lo Institute of Arte Esproncedade Barcelona, entre otros.[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb3_5,2_5″ custom_padding_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#1e1e1e\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb90%\u00bb width_last_edited=\u00bbon|phone\u00bb custom_margin=\u00bb||2%||false|false\u00bb custom_margin_tablet=\u00bb||2%||false|false\u00bb custom_margin_phone=\u00bb||5%||false|false\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb custom_padding=\u00bb2%|2%|2%|2%|false|true\u00bb custom_padding_tablet=\u00bb2%|2%|5%|2%|false|true\u00bb custom_padding_phone=\u00bb||10%||false|true\u00bb custom_css_main_element=\u00bbdisplay: flex;||flex-wrap: wrap;\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb3_5″ _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbWork Sans|600|||||||\u00bb text_text_color=\u00bb#eb267c\u00bb text_font_size=\u00bb22px\u00bb header_3_font=\u00bbWork Sans|600||on|||||\u00bb header_3_text_color=\u00bb#f49524″ custom_margin=\u00bb25px||0px||false|false\u00bb custom_margin_tablet=\u00bb0px||0px||false|false\u00bb custom_margin_phone=\u00bb0px||0px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb hover_enabled=\u00bb0″ global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]<\/p>\n

Gemma Saborit<\/h3>\n

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Comisi\u00f3n Pol\u00edtica<\/p>\n

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Ra\u00fal Lago<\/h3>\n

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Comisi\u00f3n Pol\u00edtica<\/p>\n

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EquipoComit\u00e8 Esc\u00e8niquesJunta directivaIv\u00e1n ArbilduaPresidentePadre de Julia, creador esc\u00e9nico y audiovisual en C\u00eda.SalaNegra, VESC y NURO Visuales. Made in Torrelavega, desde 1984. Licenciado en arte dram\u00e1tico, en la especialidad de direcci\u00f3n […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1758","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/comiteesceniques.org\/es\/wp-json\/wp\/v2\/pages\/1758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/comiteesceniques.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/comiteesceniques.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/comiteesceniques.org\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/comiteesceniques.org\/es\/wp-json\/wp\/v2\/comments?post=1758"}],"version-history":[{"count":15,"href":"https:\/\/comiteesceniques.org\/es\/wp-json\/wp\/v2\/pages\/1758\/revisions"}],"predecessor-version":[{"id":6273,"href":"https:\/\/comiteesceniques.org\/es\/wp-json\/wp\/v2\/pages\/1758\/revisions\/6273"}],"wp:attachment":[{"href":"https:\/\/comiteesceniques.org\/es\/wp-json\/wp\/v2\/media?parent=1758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}